“Breaking the Bubble: Mika Rottenberg’s Industrial Attractions.” Exhibition catalogue essay. Mika Rottenberg. Paris: Palais de Tokyo, 2016. 60-67 (in French); 77-83 (in English). PDF
“The Art of Undressing: Automation and Exposure at the Margins of Cinema.”Film, Fashion, and the 1960s. Ed. Eugenia Paulicelli, Drake Strutesman, and Louise Wallenberg. Bloomington: Indiana University Press, 2017. 34-48. PDF
“Assemblage, Constellation, Image: Reading Filmic Matter.”Discourse 38.2 (2016): 215-234. PDF
“Architectures of Exchange: Feminism, Public Space, and the Politics of Vulnerability.”Feminist Media Histories, special issue on Materialisms, ed. Caetlin Benson-Allott, 1.3 (2015): 66-94. PDF
“Memento Mori: Reflections on the Art of the Tableau.”The Morbid Anatomy Anthology, Vol. 1. Ed. Joanna Ebenstein and Colin Dickey. New York: Morbid Anatomy Library, 2014. 48-65. PDF
“‘Charm the Air to Give a Sound’: The Uncanny Soundscape of Punchdrunk’s Sleep No More.”The Oxford Handbook of Sound and Image in Digital Media. Ed. Carol Vernallis, Amy Herzog, and John Richardson. New York: Oxford University Press, 2013. 191-213. PDF
“Fictions of the Imagination: Habit, Genre, and the Powers of the False.”Deleuze and Film. Ed. David Martin-Jones and William Brown. Edinburgh: Edinburgh University Press, 2012. 137-154. PDF
“Fetish Machines: Peepshows, Cooptation, and the Evolution of Cultural Adaptation.”Adaptation Theories. Ed. Jillian St. Jacques. Maastricht, The Netherlands: Jan Van Eyck, 2011. 45-89. PDF
“In the Flesh: Space and Embodiment in the Pornographic Peep Show Arcade.”The Velvet Light Trap 62 (Fall 2008): 29-43. PDF
“Suspended Gestures: Schizoanalysis, Affect, and the Face in Cinema.”Deleuze and the Schizoanalysis of Cinema. Ed. Ian Buchanan and Patricia MacCormack. London: Continuum Press, 2008. 63-74. PDF
“The Dissonant Refrains of Jean-Luc Godard’s Prénom Carmen.” Carmen: From Silent Film to MTV. Ed. Chris Perriam and Ann Davies. Amsterdam: Rodopi Press, 2005. 135-150. PDF